What would an artist have to do to become famous and significant without being involved in the New York art world? Paint like Richard Diebenkorn, the American painter who, through his seductive colors and surfaces and exquisite sense of balance between planes - and between figuration and abstraction - came to define the California school of Abstract Expressionism during the early 1950s. Although he moved back and forth between making abstract and figural paintings throughout his career, his version of Abstract Expressionism became an important counterpart to the more well-known brand of the movement popularized by such New York artists as Jackson Pollock and Willem deKooning. During the 1950s through the 1960s he was noted for developing a unique form of Northern California realism, now referred to as the Bay Area Figurative School.
Diebenkorn, in addition to being a more private than public individual and not self-aggrandizing, was fundamentally a West Coast artist - influenced by his New Mexico and California environments. These personal traits also found expression in his ability to create a kind of humanized abstraction, either through the direct use of the human figure within an abstracted setting or through the delicacy and personal expressivity of the touch of his brush.
One of the most significant and unusual features of his art was the fluidity with which he could change styles between abstraction and figuration, observing the structure and order both in nature and on the canvas. His works exquisitely reconcile his perception of the natural environment with his conception of the created entity on the canvas.